{"id":1158,"date":"2024-08-06T14:51:38","date_gmt":"2024-08-06T14:51:38","guid":{"rendered":"https:\/\/www.dasunit.com\/Galleries\/?page_id=1158"},"modified":"2026-02-02T16:25:49","modified_gmt":"2026-02-02T16:25:49","slug":"night-drive-to-baobap-avenue","status":"publish","type":"page","link":"https:\/\/www.dasunit.com\/Galleries\/night-drive-to-baobap-avenue\/","title":{"rendered":"Night drive to Baobap Avenue"},"content":{"rendered":"\n\n\t<p>This website is copyright protected \u00a9 2025. Paul Robinson. DasUnit Presentation. All rights reserved \u00a9.<\/p>\n\t\t\t<h3> MADAGASCAR<\/h3>\t\t\n\t\t\t <p><a href=\"https:\/\/www.dasunit.com\/Galleries\/germany\/\">Germany<\/a><\/p>\t\t\n\t\t\t <p><a href=\"https:\/\/www.dasunit.com\/Galleries\/britain\/\">England<\/a><\/p>\t\t\n\t\t\t <p><a href=\"https:\/\/www.dasunit.com\/Galleries\/madagascar\/\">Madagascar<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<a href=\"https:\/\/www.dasunit.com\/Galleries\/night-drive-to-baobap-avenue\/\">Baobab Avenue<\/a><\/p>\t\t\n\t\t\t <p><a href=\"https:\/\/www.dasunit.com\/Galleries\/la-reunion\/\">La R\u00e9union<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/p>\t\t\n\t\t\t <p><a href=\"https:\/\/www.dasunit.com\/Galleries\/texas\/\">Texas<\/a><\/p>\t\t\n\t\t\t <p><a href=\"https:\/\/www.dasunit.com\/Galleries\/vietnam\/\">Vietnam<\/a>\u00a0\u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/p>\t\t\n\t\t\t <p><a href=\"https:\/\/www.dasunit.com\/Galleries\/jamaica\/\">Jamaica<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/p>\t\t\n\t\t\t <p><a href=\"https:\/\/www.dasunit.com\/Galleries\/spain\/\">Spain<\/a><\/p>\t\t\n\t\t\t <p><a href=\"https:\/\/www.dasunit.com\/\"><strong>Return To Home Page<\/strong><\/a><\/p>\t\t\n\t<p>The <strong>Night drive to Baobab Avenue<\/strong> series marks a formal and conceptual departure from the expansive high-fidelity works of Otherlands. Comprising twenty-one frames captured during nocturnal transit, the series utilizes a small-format camera and iPad, deliberately embracing technical limitations.<\/p>\n<p>This generates an impressionistic aesthetic of the journey. It functions as a <strong>phenomenological record of transit<\/strong>, a visual corollary to the half-awake consciousness of night travel.<\/p>\n<p>&nbsp;<\/p>\n\t<p>The series culminates in the final frames where the monumental forms of the baobab trees appear in the morning distance, marking the physical conclusion of the nocturnal passage. <\/p>\n<p>The artist&#8217;s technical intervention is crucial. The colors have been subjected to <strong>heavy post-production<\/strong>, manipulated to evoke the saturated grainy look of old analogue film pushed to its limits in low-light conditions-a deliberate echo of Kodak or Fujichrome 50 -100 ASA, with some frames suggesting the distinct aesthetic of 1970s Polaroid instant film.\u00a0<\/p>\n\t<p>This process transforms technical failure &#8211; the inherent noise and blur of the low-fidelity capture-into an expressive advantage, a highly atmospheric body of work that privileges<strong> subjective experience<\/strong> over objective clarity.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n\n","protected":false},"excerpt":{"rendered":"<p>This website is copyright protected \u00a9 2025. Paul Robinson. DasUnit Presentation. All rights reserved \u00a9. MADAGASCAR Germany England Madagascar\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Baobab Avenue La R\u00e9union\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0 Texas Vietnam\u00a0\u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Jamaica\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Spain Return To Home&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"tpl-no-header-footer.php","meta":{"footnotes":""},"class_list":["post-1158","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.dasunit.com\/Galleries\/wp-json\/wp\/v2\/pages\/1158","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.dasunit.com\/Galleries\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.dasunit.com\/Galleries\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.dasunit.com\/Galleries\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.dasunit.com\/Galleries\/wp-json\/wp\/v2\/comments?post=1158"}],"version-history":[{"count":11,"href":"https:\/\/www.dasunit.com\/Galleries\/wp-json\/wp\/v2\/pages\/1158\/revisions"}],"predecessor-version":[{"id":4814,"href":"https:\/\/www.dasunit.com\/Galleries\/wp-json\/wp\/v2\/pages\/1158\/revisions\/4814"}],"wp:attachment":[{"href":"https:\/\/www.dasunit.com\/Galleries\/wp-json\/wp\/v2\/media?parent=1158"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}